Printing t-shirts again: progress update

In short: a few stream-of-consciousness doodles and encouraging messages later and we are back to silkscreen printing t-shirts!

Here’s a glimpse of what I have been working on so far: 

anti-fascist froggie t-shirt start to finish; illustration ©️ Kat J. Weiss

my soul is mine t-shirt start to finish; illustration ©️ Kat J. Weiss

Das Blaue Haus t-shirt start to finish; design ©️ Kat J. Weiss

Not available for purchase yet, but I’ll keep you updated!

(I have a few technical and bureaucratic hurdles to move past)

Special thanks to my friend Harry Morrison for letting me use his print studio to make the screens!

one of the screens I am using to the print the shirts.

Big Illustration projects I'm leaving 2024 with; New Illustration projects I'm starting in 2025

Going out in 2024

Honey label for a private client with a small bee-keeping business

Illustration ©️ Kat J. Weiss / Jar mockup by Pixpine

Book cover and print for my fellow artist friend’s photo book Transatlantic — special edition

Illustration ©️ Kat J. Weiss

An installation with an anti-war message. I wasn’t all too happy with my output, but we can only learn by trial and error — making art within the context of my art community, PULPXIX is exactly the room to do that. At the end of the day, I can only hope that my message comes across: we mustn’t accept as a normality, the plight and suffering of children in the world’s horrific wars. 

Photo of my installation ©️ Sebastian Schubmehl, graphic designer

In case you’re feeling charitable, here’s an organisation that I think is doing terrific work in this field:

What's in store for 2025

T-SHIRTS RELOADED...! 

What I had in mind. Illustration ©️ Kat J. Weiss / T-shirt mockup by Mockups-design.com

After a long hiatus in the t-shirt biz, I would like to start something this January!

My lovely friends have been encouraging me to turn my recent doodles in t-shirts. It’s always surprising when something like that happens; that’s how the last t-shirts got started, too. Perhaps there is something about the honesty in expression that people like about doodles?

“Food Fantasy” continued

“Gelato”, Illustration ©️ Kat J. Weiss

I would like to continue my series of placing people and food in surreal contexts, exploring the communal significance of certain cultural foods. For instance, dim sum in Hong Kong or the doner kebab in Germany are foods that bring people across the board to identify with each other. And I think that’s beautiful?

Only problem is, I am a vegetarian (often incorporating veganism into my daily life) and I don’t feel comfortable depicting meat — which a lot of cultural foods still include. Hmm. So the idea might be just to focus on classic vegetarian dishes from different cultures, which I hope won’t be too niche to be relatable.

Illustration Pricing FAQ

The price of an illustration depends on a few factors:

• Exclusivity – exclusive or non-exclusive rights

• The number of print or digital media applications, e.g. one or more print media, online, social media, television, etc.

• The scope of use – how many editions of the illustration will be published, and/or how large is the target audience

• Duration of use – single use to 1 year, 3 years, 10 years, unlimited

• Geography of use – how many countries, regions (e.g. DACH region), continents will the illustration appear in, should it be international?

• Size of artwork

• Level of detail – background or no background, how many people should be in the illustration, what subject matter should be included, full colour, black & white or only linework

Based on these factors, I can quote your project accordingly.

Sample Prices

Based on “Honorarwerk Illustration“ (2019), an overview of industry-standard prices across all illustration markets in Germany. It was published by Illustratoren Organisation, a German illustration workers’ union.

• Editorial illustration for magazine or newspaper, print, single page, non-exclusive rights, DACH-region, single use to 1 year – €550

• School book illustration, print, DACH-region, exclusive rights, single edition, simple motif in colour – €80

• Children’s or young adult book cover illustration, print, DACH-region, exclusive rights, simple or moderately complex style – €750

• Poster or flyer (advertising), 1 print medium + online publication, non-exclusive rights, simple style with limited colour, limited editions, single use to 1 year, Germany – €500

A little bit of Hot Pot for your home – Fine Art Prints

I decided to restock one of my favourite prints – reproductions of a watercolour piece I painted almost two years ago. Indeed, I am no longer in possession of the original, as I sold it last year! 🥲

I just realised that I never explicitly talked about which corner of my brain this piece sprang from. One, I am a nostalgic person, and this piece is an ode to hearty, cacophonous nights spent at steamy, smoky hot pot restaurants in Hong Kong. Because I love my friends.

One of the first sketches, plus me posing for reference lol

It is an on-the-nose depiction of Hong Kong as a melting pot; how I remember it and how I would love it to remain. And finally, it is an ode to food, and how it brings people together.

Hot Pot, 30 x 40.8 cm (outside 34 x 44.8 cm) prints, on Hahnemühle Photo Rag – €65
Currently 5x in stock. Shipping from Germany. Please follow the link to e-mail an enquiry!

I know it seems odd that I don't have an official set up for this, but I’d much rather personalise the delivery options as shipping prices are THROUGH THE ROOF at the moment!

I’m open to any kind of delivery option: regular mail, in person, etc. – possibilities are endless as long as we stay creative. I’ll pack the print nice and safe, but liability is limited.

Why and how I finally took a ‘Social Media Break’ (not life advice)

I’ve been aware of how much of a time-suck social media can be for a while now, especially after reading How to Do Nothing by Jenny Odell, but found it hard to change my relationship to it. I even made a Youtube video (now privated) documenting my attempt at reducing my screen time, but did not manage to keep up this lifestyle change for long after that. 

So why have I suddenly decided to take myself off social media, and what’s different this time? 

In short: my parents came to visit, entrusted me with a bunch of new responsibilities, and I got overwhelmed. 

I realised pretty quickly that in order to fit all of these new responsibilities into my life, along with a new job starting soon, continued portfolio work & latent freelance career, taking care of my rabbits, hobbies, and really any house hold task you can think of – including an apartment make-over – I needed to immediately cut out any time-wasting entities, so bye bye social media. Finally, I had a reason bigger than my own wants and desires; a force stronger than the allure of needing to be connected at all times.

I spent a lot of time redecorating my place.

For 2+ weeks now I’ve been logged out most platforms and have deleted all apps off my phone, except for Youtube and Apple Podcasts (if that even counts), which I use as a kind of background noise while doing mostly mindless tasks, or for entertainment purposes when I’m done for the day. But even then I try to be mindful of when they take up too much of my time or distract me. 

Admittedly, I did log back into Instagram a at least once per week, just to let people know what was going on and that I wasn’t ignoring them. I also logged back into Twitter a few times to a) doomscroll out of boredom, and b) catch up on some news. Ultimately I found these behaviour patterns too time-consuming, and have been staying off the platform more consistently.

Maybe unnecessary side note, but in order to get the embedded social media links for this article, I also had to log back into Instagram – but it no longer felt like it was for my personal use.

2+ weeks really isn’t that long of a time, but it feels like ages – as if somehow social media has the ability to foreshorten time in digital space, and outside of it, you start to feel the actual duration. The internet moves fast, as they say. I’m noticing lots of periods of nothingness just by existing in the offline world, and I’m wondering – was this all the time I used to willingly give up? 

My screen time comparisons, from before I “quit” social media to a few weeks after. I think the difference is pretty extreme! The global screen time average is around 6.5 hours daily, which is almost hard to imagine.

Not using up my time scrolling / liking / being liked / posting feels very awkward. The word that comes closest to it is ennui – but it also feels much more like an itch. As if I’m itching for something to do, something to itch my dopamine-hungry brain with. Every now and then I itch to check Instagram, to Tweet, to scroll, but in the back of my mind I’ve already reached the conclusion that these actions will never truly satisfy the longing that I feel.

To be fair, I haven’t started work yet, so perhaps this ennui will lessen once I have a job. I’m curious to see if staying off social media will help me balance work / freelance / free-time / house hold chores. I know for sure that my time will be precious then, so maybe it’s not a bad idea to get a head-start on better time-management. 

Chair upholstery which I fixed in the most unhinged embroidery style ever, thrifted decor for my room. For new things I try to buy second-hand as much as possible, which is why my interior kinda looks a grandma’s cottage (which is fine).

So instead, I redirect myself to writing, my other hobbies, or one of the many house hold tasks I’ve bullet-pointed on a seemingly never-ending list. Really, I do not have any excuse to be bored! On the other hand, this feeling, this lull, is probably one I’ve forgotten how to feel for a very long time.

It’s weird because I’ve always had this frivolous dream of secluding myself in a forest cabin, away from the world, just so I can write and make art without a filter. True, physical separation from your usual surroundings is sometimes completely necessary, but that isn’t always possible, and besides, you can never run away from your problems. All along I had the opportunity to create the forest cabin around me – I just didn’t do it. 

My redecorated work space with thrifted floral curtains, thrifted planter, and a plant hanger which I crocheted :)

To be clear, I do not think I am now morally superior because of all of this. After all, how can I look down on a tool that has sparked and facilitated so many important social movements – from Black Lives Matter, to MeToo, to the protests in Thailand and beyond?

But revolutions need to be much more multifaceted than “participatory media structures,” as communication scientist Martin Emmer puts it, and besides, even the revolutionary needs moderated screen-time. I just know that this was a personal inevitability for me, because as well as taking a lot of my time, social media had the tendency to have a hold on my emotions. And who knows how many of my thoughts it has manipulated without me realising it?

A thrifted tablecloth with rabbits and chickens (! of course), a thrifted cart for my art supplies; sadly one of the wheels broke but it’s still standing, at least. The white IKEA Alex drawer, big enough for A2 paper, and one of the few more expensive items I didn’t thrift. Finally, learn from my mistakes: glass picture frames > plexiglass picture frames.

I feel confident that being more protective of my time and energy is one of the healthiest life decisions I can make, but I also know that it can never be more than just a phase. The reality is that I’ll still need social media to promote my freelance work, at least from time to time, and most likely for any future jobs.

But how can I integrate these platforms back into my life, without being sucked into the absolute time vortex that they are? To this end: I recently discovered that you can set time-limits on your apps via the regular iPhone settings, so perhaps that is an option for me. If you have any experience with this, feel free to let me know – PS there is a comments section beneath each of my blog entries!

I may be utilising these iPhone settings in the future…

And beyond that, especially if you have experience juggling a house hold, having a job, taking care of pets, kids, cooking, grocery shopping, etc, while also having a hobbies – I’m looking at you, working house wives and house husbands – how do you balance all of this? Have you found that staying off social media was helpful for you as well?

And finally, I know this is a trite question, but how do we connect beyond social media in the 21st century? It seems we get an overwhelming sense of our connectedness virtually nowadays, and I have to admit that I miss sharing the silly moments throughout my day with my friends, from the way my rabbits lie in their funny little positions to how I’ve done up my place. I feel isolated, kinda.  Sure, we can go out and talk, but that’s not always an option, and there will always be the need to communicate in a way that transcends physical and temporal boundaries: we’ve done it for thousands of years, after all, from caves to chatrooms. 

Even the rabbits got a rabbit room make over! The vinyl flooring is better for their feet and easier for me to clean / generally protects the room from damage.

It seems that this blog is the only sustainable way for me to keep connecting in the modern world, so I sincerely hope that you will continue to enjoy reading it!